ROSA'S LOUNGE - 773-342-0452
3420 W Armitage Ave. , Chicago, IL 60647

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Lurrie Bell :: Unplugged

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Lurrie Bell :: Unplugged
Wednesday, December 6, 2017 9:00 PM
Rosa's Lounge, Chicago, IL
  • 21 & over
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Admission Type Price Quantity

General Admission (G/A): Seating first come, first served

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Seating for General Admission is available on a limited, first-come, first-served basis. Areas marked as RESERVED will not be available to G/A ticket holders.
$10.00

Guaranteed Seating: Claim your seat 8PM-9PM

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Patrons who purchase guaranteed seating must arrive between 8PM-9PM to claim a seat. Tables seat 4-5 people each and may be shared across parties. Ticket holders who do not check in by 9PM will forfeit guaranteed seating but can still enjoy general admission.
$15.00
Service charges and/or discounts applied at checkout.
Tickets will be also available at the door until the show is sold out.
ALL SALES ARE FINAL
Performing Artists (Click on Artist for Reviews and Previews)
Show Details
  • When: Wednesday, Dec 6, 2017 9:00 PM (Doors open at 8:00 PM)
  • Ticket Price: $10.00 - $15.00
  • Door Time: 8:00 PM
  • Show Type: Blues
  • Restrictions: 21 & over
Lurrie Bell:

Guitarist Lurrie Bell, son of harmonica legend Carey Bell, spent his childhood at the feet of such fabled bluesmen as Eddie Taylor, Big Walter Horton, and Pinetop Perkins. By his mid-20s Bell's resumé included recording sessions with Eddie C. Campbell and Eddy Clearwater, stints with Billy Branch's Sons of Blues and Koko Taylor, and several overseas tours. Bell’s elegant and intense guitar playing and passionate vocals have made him a favorite at clubs and festivals around the world. Living Blues Magazine named Bell “Best Male Guitarist” in 2014, followed by a Blues Music Award for “Traditional Blues Male Artist” in 2015.*cut if too long Bell’s 2016 Delmark album, “Can’t Shake This Feeling,” delivers a collection of songs (including 4 originals) rooted in the foundation of Chicago-styled traditional guitar blues, solidifying Bell's reputation as a leading light for the future of the blues. 

(Credits to David Whiteis of the Chicago Reader)